27/7/2015 The New York Times Magazine
Should We Fear the Political ‘Crazies’? When John McCain referred to people who attended an anti-immigration rally as "crazies,” he was trying to marginalize...
14/7/2015 The New York Times Magazine
How ‘Privilege’ Became a Provocation. Invoking the word is an acknowledgment of racial or social advantages. But it is also seen as an epithet used to shame....
7/7/2015 The New York Times Magazine
What Are the Limits of Religious Liberty?The law has always made room for the needs of believers, but lately doctrine is being invoked to justify intolerance. Text...
31/6/2015 The New York Times Magazine
America’s ‘Postracial’ Fantasy. For millions of mixed-race people, identity fits more than one box, but we still see one another in black and white. Text by...
23/6/2015 The New York Times Magazine
The Rabbit-Hole of ‘Relevant’. For years, the N.S.A.’s data grab has hinged on a reading of the word that encompasses every aspect of our lives. Text by...
9/6/2015 The New York Times Magazine
When You ‘Literally Can’t Even’ Understand Your Teenager. The sentence fragment ‘I can’t even’ is the latest in a long line of phrases deployed by...
9/6/2015 Table Magazine
The Butcher of Desire; or Imagining Philip Roth. Texty by Sam Apple. Art Direction by Esther Werdiger.
28/5/2015 The New York Times Magazine.
What We Don’t See “Pics or it didn’t happen” falls short when it comes to describing the realities of American life. Text by Colson Whitehead. Art Direction...
22/5/2015 The New York Times Magazine
Not One of Us. ‘Random’ used to be blandly descriptive, but it has become a judgment, a way of saying who’s in and who’s out. Text by Luc Sante. Art...
9/5/2015 Vanity Fair
Time to Table, Farm-to-table? Text by Corby Kummer. Art Direction by Kaitlyn Pepe.
5/5/2015 The New York Times Magazine
Crying ‘Gotcha’, a once-legitimate media critique is now shorthand for any question a politician doesn't want to answer. Text by Mark Leibovich. Art Direction...
Barcelona Creative Commons Film Festival.
3D Modeling by Frank Viloria,
3D printing Management and finishing by Marti Balta.
24/3/2015 The New York Times Magazine
How ‘Flawless’ Became a Feminist Declaration. To be beautiful is to be pleasing to others, but to be ‘flawless’ is a statement of radical confidence: It...
19/3/2015 Vanity Fair
Good Bye to "Hello". The phone call is dead.
Text by A.A. Gill. Art direction by Tonya Douraghy.
Produced by El Terrat.
Comedy Festival with Leo Bassi, Faemino y Cansado oficial, Els Joglars, Berto Romero, Javier Coronas, Revista Mongolia, directed by Andreu...
Sunday Times Magazines
Who's making your lunch? Matt Rudd goes inside the sandwich factory.
Art Direction by Matt Curtis.